British violinist Anthony Marwood is known worldwide as an artist of exceptional expressive force. His energetic and collaborative nature places him in great demand as soloist/director with chamber orchestras worldwide. He is Principal Artistic Partner of the celebrated Canadian chamber orchestra, Les Violons du Roy, a post he took up in 2015. In the 16/17 season, he was Artist in Residence at the Norwegian Chamber Orchestra. His eminence as a soloist has brought him to work with conductors such as Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin, Bernard Labadie and Douglas Boyd.
In recent years, engagements have included the Boston Symphony, St Louis Symphony and Vienna Radio Symphony, as well as the New Zealand and Tasmanian Symphony Orchestras and the Australian Chamber Orchestra. Last season included performances of Kurt Weill’s concerto with the Royal Philharmonic Orchestra of Galicia, play/direct projects with the Aurora Orchestra at London’s Royal Festival Hall and with the Adelaide Symphony Orchestra, a return to the Amsterdam Sinfonietta for a tour of the Netherlands, and a performance of Brahms’s Double Concerto with Alexander Rudin and Musica Viva Moscow.
Marwood is a renowned champion of contemporary music, alongside more traditional repertoire. Among those new works composed for him is Thomas Adès’ Violin Concerto “Concentric Paths”. Marwood first performed the work in Berlin and at the BBC Proms with the Chamber Orchestra of Europe conducted by the composer, following these performances with many national premieres around the globe and a release on EMI in 2010. Also composed for Marwood were Steven Mackey’s “Four Iconoclastic Episodes”, premiered in 2009 with the Irish Chamber Orchestra, and Sally Beamish’s 1995 violin concerto, premiered by Marwood with the BBC Scottish Symphony Orchestra under Martyn Brabbins. The most recent work written for Marwood is Samuel Adams’ Violin Concerto, premiered in 2014 by the Berkeley Symphony in California under Joana Carneiro to critical acclaim.
The 17/18 season included a tour with the Scottish Chamber Orchestra, play/direct engagements with the Sydney Symphony and Tapiola Sinfonietta in Helsinki, debuts with the Gävle Symphony Orchestra (Adès concerto) and Jacksonville Symphony (Berg) and two concerto appearances with the Chamber Orchestra of Paris (Beethoven and Berg).
As a chamber musician, Marwood is a frequent participant at major chamber music festivals, with recent appearances including Vinterfest in Sweden, the Trondheim Chamber Music Festival and Bridgehampton Festival in New York. His recital partners include pianist Aleksandar Madžar, with whom he toured the US last season, and accordionist James Crabb, with whom he appeared at Wigmore Hall in 2015. Marwood returns to the Wigmore Hall in the current season to join musical colleagues for the octets of Mendelssohn and Enescu.