World Viola Day with ASO’s Principal Viola, Justin Julian

Tell us about your new instrument.

My new instrument is a rare viola made in Modena in 1921 by Romolo Parmeggiani, a respected 20th century Italian maker who also trained as a concert violinist. Violas come in many shapes and sizes, and this is a larger viola in an unusual shape, loosely inspired by Brescian violas and Amati. It sounds older and more sophisticated than its 105 years and allows me to produce a full, generous tone with ease.

Does the type of wood a viola is made from affect the sound?

Like the other instruments in the violin family, most violas are made from the same materials; the top from spruce, the ribs, back and neck from maple, and the fingerboard often from ebony. These same woods continue to be chosen for their specific acoustic properties, with only the occasional exception. Wood choice does affect the sound, it is also significantly influenced by the size and shape of the instrument, and the thickness, density, grain and age of the wood.

What made you decide to get a new one?

Having a great instrument really lifts the ceiling on what you can achieve musically; instead of focusing on finding ways around the limitations of your instrument, you are free to explore new tonal possibilities. I had been on the lookout for a while for an instrument that raises the bar for what is possible for me, and recently the search paid off!

What do you do to care for your viola?

String instruments, particularly older ones, are very sensitive to humidity and temperature. Sudden changes can cause issues as subtle as a slight difference in the sound, or as obvious as cracks or unstuck glue. My viola’s ‘wellness routine’ includes a wipe down with a microfibre cloth every time I put it away, and a small humidifier is in the case to prevent it from getting too dry. I also take it to Sydney once or twice a year for specialised maintenance and cleaning with a trusted luthier (string instrument restorer).

How do you know that you’ve picked the right one for you, and did you try any others before picking this one?

I tried around 40 violas in London, Paris and Australia before making the big decision. String instruments have distinct personalities; each have individual sounds and prefer to be played in certain ways. When you meet the right one, you recognise there is good chemistry, and your idea of a good sound is aligned with the instrument. Some instruments also encourage you to play with minimal tension and effort, having obvious long-term career benefits. I found all of these characteristics in my new viola!

Do you have a dream viola? Is there one that exists in history, or in your imagination, you would love to be able to play?

Italian instruments from the 18th century or earlier are seen as the ultimate goal for many string players. This is because of the makers’ unique abilities, the tonal and historical value, and their age (which adds complexity and depth to the sound, much like cellaring wine). Unfortunately they are extremely rare and these days can sell for 7-8 figure prices. As far as instruments within a musician’s budget are concerned, it’s fairly safe to say I have found my dream viola!

 Justin is supported “In memory of Mrs JJ Holden” via our Musical Chairs program.